ENGL 2122/Spring 2022/Schedule: Difference between revisions

From Gerald R. Lucas
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Each week of this class has its own unit or lesson corresponding to a literary movement. Each week is divided into daily work that contain readings (with the occasional reading quiz) and writing. Each week concludes with a test on the materials covered. The following is a general overview of the schedule.
Each week of this class has its own unit or lesson corresponding to a literary movement. Each week is divided into daily work that contain readings (with the occasional reading quiz) and writing. Each week concludes with a test on the materials covered. The following is a general overview of the schedule.


===Semester Overview===
{{quote box|width=30%|title=Schedule Overview|
* 3/9 Class begins / Introduction
* 3/9 Class begins / Introduction
* 3/9–3/29 — Romanticism
* 3/9–3/29 — Romanticism
Line 19: Line 19:
** 4/20–5/3 — Postmodernism / Contemporary
** 4/20–5/3 — Postmodernism / Contemporary
* 5/3 — [[Short Lit Crit Response]] due
* 5/3 — [[Short Lit Crit Response]] due
* 5/3 — Class ends
* 5/3 — Class ends}}


===Daily Work===
===Daily Work===

Revision as of 11:06, 10 January 2022

This schedule represents the ideal outline for our study this semester. Yet, like all best-laid plans, we may not be able to keep up with our agenda. Please be flexible and try to look and read ahead whenever possible.

We will do our best to stick by this schedule, but I will inform you verbally, via an email, and/or a literal change to the schedule below whenever there is a deviation. Getting these updates is solely your responsibility. Therefore, this schedule is tentative and subject to change contingent upon the needs of the students and the professor, and dictated by time and other constraints which may affect the course. For face-to-face classes, this schedule reflects only an overview of the assigned reading and other major course assignments. It may not indicate specific class session assignments or activities. Specific in-class assignments may not be reflected on the schedule.

Gustave_Wappers_-_Épisode_des_Journées_de_septembre_1830_sur_la_place_de_l'Hôtel_de_Ville_de_Bruxelles

Each week of this class has its own unit or lesson corresponding to a literary movement. Each week is divided into daily work that contain readings (with the occasional reading quiz) and writing. Each week concludes with a test on the materials covered. The following is a general overview of the schedule.

Schedule Overview
  • 3/9 Class begins / Introduction
  • 3/9–3/29 — Romanticism
  • (3/21–3/27 — Spring Break)
  • 3/30–4/5 — Victorianism
  • (4/6 — Midterm grades due)
  • (4/8 — Withdrawal date)
  • 4/6–5/3 — The Twentieth Century
    • 4/6–4/12 — Through WWI
    • 4/13–4/19 — Modernism
    • 4/20–5/3 — Postmodernism / Contemporary
  • 5/3 — Short Lit Crit Response due
  • 5/3 — Class ends

Daily Work

As this is a session course and time is limited, here’s how I recommend your proceed: work every day. Put aside at least an hour on every class day, and

  1. Read the primary texts (these are assigned below in individual class days) taking notes as you do, maybe highlighting passages that speak to you in some way;
  2. Take the reading quiz if there is one assigned;
  3. Read some secondary texts: i.e., do some research on at least one of the texts, being sure you understand the major themes, symbols, etc.;
  4. Take the short-answer quiz if there is one assigned;
  5. Respond on r/LitWiki (see Repond) on what you think about the text(s), supporting it with evidence from both the primary and secondary texts. I give some suggestions below for potential responses, but these are really up to you. You should write a minimum of two posts per lesson (or week).[1] A day is set aside each week for your responses.

The idea here is that you engage with the course materials in a consistent way. Not all of it will speak to you, and that’s fine. However, you must actively engage the materials and show that engagement in your weekly work.

Schedule

Date Assignment
3/9 Class Begins
  • Read the syllabus completely, including policies; note any questions you might have.
  • Read How to Do Well in My Class and Writing in the Liberal Arts.
  • Take Introduction Quiz about the syllabus on D2L .
  • Read Reddit Discussions, create a Reddit account, and join r/LitWiki.
  • Respond to r/LitWiki » Welcome to British Literature II (S22).
  • Upload a screenshot of your Reddit profile page on D2L—this way I know your username (so I can evaluate your work) and see that you have done the assignment. This is crucial as it will indicate that you are attending; failure to do this will result in your being reported as a no-show and dropped form the class. If this happens, you will not be readmitted.
The Romantic Period
3/10
Friedrich, Two Men Contemplating the Moon
Introduction to Romanticism
3/11
1794 William Blake Songs of Innocence.jpg
William Blake

Respond on r/LitWiki » William Blake (General). Or, if you want to respond to a particular poem, locate its thread, or if one has not already been created, feel free to start a new one.; e.g. Blake: “The Sick Rose” as the title of the thread.
3/14 Mary Wollstonecraft Shelley
  • from A Vindication on the Rights of Women
  • Take Reading Quizzes
3/15
Ashford, Tintern Abbey
William Wordsworth
Samuel Taylor Coleridge
3/16 George Gordon, Lord Byron
3/17 Percy Bysshe Shelley
3/18 Elizabeth Barrett Browning
Dorothy Wordsworth
3/21
Joseph Severn, Portrait of John Keats
John Keats
3/22 Take the Romanticism Check-In on D2L



notes

  1. Remember, minimums will earn you the minimum passing grade.
  2. See D2L for an overview of the period.
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