Prose: Difference between revisions

From Gerald R. Lucas
(Added intro.)
m (Fixed link.)
 
(4 intermediate revisions by the same user not shown)
Line 15: Line 15:
<div style="display: flex; justify-content: center; padding: 25px 0 25px 0;">
<div style="display: flex; justify-content: center; padding: 25px 0 25px 0;">
{| style="width: 80%;"
{| style="width: 80%;"
|- style="font-align: left;"
| colspan="3" | {{Big|Kate Chopin}}
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[The Story of an Hour]]”}}
|-
| colspan="3" | {{Line}}
|- style="font-align: left;"
|- style="font-align: left;"
| colspan="3" | {{Big|F. Scott Fitzgerald}}
| colspan="3" | {{Big|F. Scott Fitzgerald}}
Line 25: Line 31:
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[Hills Like White Elephants]]”|“[[February 11, 2023|Indian Camp]]”}}
| colspan="3" |{{bulleted list|“[[Hills Like White Elephants]]”|“[[February 11, 2023|Indian Camp]]”}}
|-
| colspan="3" | {{Line}}
|- style="font-align: left;"
| colspan="3" | {{Big|James Joyce}}
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[Araby]]”}}
|-
|-
| colspan="3" | {{Line}}
| colspan="3" | {{Line}}
Line 31: Line 43:
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[February 4, 1994|Before the Law]]”}}
| colspan="3" |{{bulleted list|“[[February 4, 1994|Before the Law]]”}}
|-
| colspan="3" | {{Line}}
|- style="font-align: left;"
| colspan="3" | {{Big|Jack London}}
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[To Build a Fire]]”}}
|-
|-
| colspan="3" | {{Line}}
| colspan="3" | {{Line}}
Line 42: Line 60:
| colspan="3" | {{Big|Edgar Allan Poe}}
| colspan="3" | {{Big|Edgar Allan Poe}}
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[The Masque of the Red Death]]”}}
| colspan="3" |{{bulleted list|“[[The Cask of Amontillado]]”|“[[The Masque of the Red Death]]”}}
|-
|-
| colspan="3" | {{Line}}
| colspan="3" | {{Line}}
Line 49: Line 67:
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[July 24, 2006|Universal History]]”}}
| colspan="3" |{{bulleted list|“[[July 24, 2006|Universal History]]”}}
|-
| colspan="3" | {{Line}}
|- style="font-align: left;"
| colspan="3" | {{Big|Unknown}}
|- style="vertical-align: top;"
| colspan="3" |{{bulleted list|“[[May 11, 2023|Prologue to ''The Epic of Gilgamesh'']]”}}
|}</div>
|}</div>


[[Category:Index]]
[[Category:Index]]
[[Category:Prose]]
[[Category:Prose]]

Latest revision as of 10:46, 29 January 2024

For one reason or another, I have collected several short stories on my web site—probably to teach at one time or another. Most of these should be in the public domain (or pretty close), but please contact me if copyright issues exist. Short fiction is a form of literature that focuses on telling a complete story in a condensed format.

General Characteristics

Some general characteristics of short fiction include:

  • Conciseness: Short fiction typically presents a complete story in a condensed form, often ranging from a few hundred to a few thousand words.
  • Unity of effect: Short fiction aims to achieve a single, unified effect on the reader, often through a clear and focused plot.
  • Characterization: Despite its brevity, short fiction often features well-developed characters who are central to the story and its theme.
  • Conflict and tension: Short fiction typically includes some form of conflict or tension, whether it be internal or external, that drives the plot and keeps the reader engaged.
  • Economy of language: Short fiction relies on precise and economical use of language to convey meaning, and often uses figurative language, symbolism, and imagery to create a vivid and lasting impression.
  • Closure: Short fiction provides some form of resolution or closure to the story, often through a surprising or ironic twist at the end.
  • Multiple interpretations: Short fiction often allows for multiple interpretations and readings, inviting the reader to engage with the story on a deeper level.

These characteristics are not exhaustive, and there is considerable variety within the form of short fiction. However, they provide a general sense of the key features of the genre.

Calligraphic-swirls-flourishes-6.png
Kate Chopin

F. Scott Fitzgerald

Ernest Hemingway

James Joyce

Franz Kafka

Jack London

Norman Mailer

Edgar Allan Poe

Olaf Stapledon

Unknown